My Top 5 Films of 2015

Earlier this year in my Oscar blog post, I commented that there was apparently no point in doing a best of 2014 list when basically all of 2014’s juiciest titles didn't come out until the following year. And while the thought has danced temptingly in my mind to count said films as 2015 releases and have an easy, and strong for that matter, top list for 2015, I like to think I'm above such petty cheating.

However, the problem still remains that I haven’t really seen many films of 2015. I certainly haven’t been going to the cinema as often as I was last year, so doing a top 5 of 2015 seems near meaningless, considering I've only seen about 6 or 7 at best. So, instead of a ‘Top 5 of 2015’, I’d like you to think of this as more of a ‘Short Review of 5 of the films I saw in 2015’. And it may just be, purely through crazy random happenstance that I have chosen to talk about my five favourite films of 2015. We happy? Good. Let’s go.

5. Star Wars: The Force Awakens – J. J. Abrams

Ever since Disney bought Lucasfilm back in 2012 to the collective astonishment of the masses, a frankly ridiculous amount of hype has been built up for this film, with an advertising campaign that seemed to infiltrate every industry, from laptops to airplanes, and has returned Star Wars to the mainstream, rather than as a property reserved exclusively for nerds like me. Unsurprisingly, it’s broken opening weekend records with its release, which has happened so often this year it doesn't sound impressive anymore, and I was amongst the many movie-goers who went to see it in its first few days (I managed to book last-minute into a Friday afternoon showing). So, the verdict. It’s a great film. It’s very enjoyable and, most commendably, it feels like Star Wars, something that, in retrospect, the prequels did not. The Force Awakens manages to capture the essence of classic Star Wars perfectly. I don’t know if it’s the use of practical effects, the returning acting talents of Harrison Ford, Carrie Fisher and Mark Hamill or, perhaps, its big weakness – its similarity to A New Hope. Some have called it a rehash or remake of the cherished original, and while I think that’s a little far, it definitely hits all the same plot points, something I might cover in more detail in a separate post, but at the very least, I was disappointed that the big threat is just another Death Star. OK, fine, its called Starkiller Base or something, and it’s bigger, yes, but it’s still a Death Star, and that’s just lazy. As I said, I may do a post expanding on all this in the future, but in short, it's a great film, but not the prodigy we were all expecting. 8/10, High Recommendation

4. Kingsman: The Secret Service – Matthew Vaughn

Of all the films for me to take my family to see, I managed to choose arguably the most graphic of 2015’s highlights. Vaughn’s comic-book adapted spy thriller is certainly a pleasure to the senses: packed with great gags, a sterling soundtrack and deliciously visceral violence that falls right on the sweet spot of being graphic but not unpleasant. Samuel L Jackson as a villain with a lisp and a fear of blood is a masterstroke, and Colin Firth kicks arse as Lancelot, one of the Kingsman’s best agents. And how can we forget the Westborough Baptist Church massacre, set to the sound of Lynyrd Skynyrd’s Free Bird. So, why are we only at fourth? OK, well prepare for what may be one of the weirdest criticisms I have ever and probably ever will give to a film. I cannot take the climax of the film seriously with Eggsy dressed in a suit. I know, it’s absurd, but when he’s dressed in the suit and glasses, trying to act all posh at the party, it just looks like a little eight or nine year old has put on daddy’s suit and is pretending to be Bond. I don’t know what they did but it’s just weird to watch, at least for me, and this was enough for me to knock off a mark (I tried to give it a nine, I really did, but I just couldn't agree with it). Everyone else loves it though, so maybe this is just something that only bothers me. Check it out, either way. 8/10, High Recommendation

3. Inside Out – Pete Docter

It seems Pixar have developed a worrying taste for making its audience cry. My generation all grew up on their earlier films, which bought us joy, and now that we’re all older and on the brink of adulthood, they've now changed tactics to instead make us weep for our lost childhood. First, Up showed us two children growing old and dealing with the futility of life in its opening montage, then Toy Story 3 made us confront the end of childhood and leaving our old life behind, and now Inside Out has reminded us of the depression, anxiety and death of childhood creativity that accompany our transition into adulthood. And yes, I cried. Get over it. I believe Pixar spent five years constructing this film, and the work really shows in this powerfully haunting, yet fun ride through the mind of a pre-pubescent child. The metaphorical representations of a psyche are questionable at times, but it all works, and you’ll be too caught up in the emotion (I'm sorry) of the piece to really think about the semantics too much. Kids will undoubtedly love it, and while it’s probably not Pixar’s best output, it’s up there. 9/10, High Recommendation

2. Ex Machina – Alex Garland

With a cinematic release period so short that I’d barely acknowledged it before it disappeared, I didn't actually get around to watching this one until a few weeks back, for possible use in my film studies coursework. And wow, it’s quite a film. The effects are phenomenal, and the soundtrack haunting, as we take an unsettling journey into the genesis of Artificial Intelligence. With only four characters and one location, the narrative is tight and the action suitably claustrophobic, for a film all about being trapped. The plot seems simple on the surface; a programmer is selected to visit his boss’ high tech retreat, where he is introduced to Ava, a potential artificial intelligence that needs to be verified with the Turing test. That’s really about all I can say without ruining it, but essentially, everything is much darker than it first seems. It’s one of those films that really just needs to be seen and experienced and there’s not much I think I can say that does it justice. A new sci-fi classic for sure, watch it with a good sound system. 9/10, High Recommendation

1. Mad Max: Fury Road – George Miller

What a lovely film. I remember eagerly renting the first Mad Max film a little while ago, hoping for a film that encapsulated everything I loved about the post-apocalypse, especially in games like Fallout, of which I am a massive fan. The first film didn't really impress me to say the least, and I never really got around to watching the second or third ones, fearing more of the same. But then Fury Road came out, to the sound of critics, fans, and just about everyone really, creaming their pants in perfect unison. After enquiring with a few of my friends, asking if it was really that good and getting a definite yes in response, I decided to go and see what all the fuss was about. And I can indeed inform you that the fuss was about one of the greatest action films since The Dark Knight, possibly of this century so far. The plot is light and the context pretty simple, in order to devote as much attention and screen time to the stellar action scenes. It’s a miasma of vehicular mayhem to say the least, but there’s enough breaks in the actions that it never grows tiring, but never a lull long enough that the audience get bored. Not to mention pretty much all the stunts and cars were practical effects, with CG only really being used for the scenery and environment, and it really injects life and a certain adrenaline into the carnage that computer effects just can’t achieve. I'm pretty sure most people have seen this film now, but if you haven’t, pick up a copy on Blu-ray now that it’s been released and treat yourself. Heck, I’d even suggest forking over a little extra for the 3D version. I don’t know if it’s any good, I saw it in 2D, but I wouldn't be surprised if it managed to improve on the experience. 9/10, High Recommendation

Well, that’s a wrap for 2015. It’s been my first full year of posting, and I think I've done a fair amount. Next year will be getting pretty busy as I finish my A-levels and move on to university. I have got several posts in the works which’ll hopefully keep this page going for the first half of the year. I’ll also be looking to do Oscars again next year, although I must say the current line-up of Oscar candidates seems a bit muted compared to last year’s offerings. So far, only The Revenant and Spielberg’s Bridge of Spies seem set for the Oscar runnings, and as this list demonstrates, there's been a lot of strong, non-Oscar-bait films this year, so it will be intriguing to see what else follows. I'm especially interested to see the nominations for special/visual effects, because Ex Machina, The Force Awakens and Mad Max have really raised the bar this year.

But that’s enough from me for now; I'm sure we've all got some festivities to return to. I wish you all a belated merry Christmas and a happy new year! See you on the other side.